Features of the Partipation of a Russian Fairy Tale in the Model of the Female Self

Introduction. The study of a fairy tale leads to an understanding the deep processes global world, desire for localization, glocalization. Russian in model female “I” is postulate modern reading and search one’s place since inability adequately read life, real fabulous ideological, detached state personality, muscularity character external features need counteraction integration into call-response system time. Materials Methods. article written taking account systematic interdisciplinary approaches. For were used folk tales as presented by: P. Ershov “The Humpbacked Horse”, A. N. Afanasiev: Firebird Vasilisa-Tsarevna”, “Koschey Immortal”, “Sivka-Burka”, S. Pushkin: Tale Tsar Saltan”, Fisherman Fish”. Also, without authorship: Queen His Uncle”, “Sorcerer’s water”, “Elena Wise”, “Ivan Bykovich”, “Robbers”, “True False”, Three Kingdoms Copper, Silver Gold”, Feather Finist Clear Falcon”, Witch Sun Sister”. Research Results. models women’s self-perception studied. values people cultural historical current society evaluated categories, centers which served at different times social change, dialogue cultures, became unifying constitutive vector development idea share. Elements belonging alienation are result interpenetration traditions all peoples state, why identification subsequent comprehension “folk traits” relevant, elements hostility well friendly reconciliation mutually excluded, many pathologies organism, individual. Discussion Conclusion. Identification category attitude world “good/evil” approach possible such structures aesthetic, philosophical, semiotic figurative representation. content artistic should be scientifically comprehended adapted present time guarantee semantic characteristics successful assessment knowledge about society, role women number issues feminization key life aspects: education, culture, legal culture.